Bringing Ancient Artifacts to Life Via 3D Printing
February 8, 2019

Bringing Ancient Artifacts to Life Via 3D Printing

MINNEAPOLIS & REHOVOT, ISRAEL – Underscoring the power of realism in 3D printed models, Stratasys and Google Arts and Culture are re-imagining some of the world’s most cherished artifacts and historical monuments through additive manufacturing.

Backed by advanced color and multi-material functionality of the Stratasys J750 3D Printer, historians can now re-create these items digitally and physically – raising both awareness and accessibility of ancient history.

A 3D printed model of Ayutthaya temple in Thailand, produced using the Stratasys J750 (Graphic: Business Wire)

Google Arts and Culture is capitalizing on Stratasys technology for its Open Heritage Project, designing and creating historical pieces with multi-material and multi-color 3D printed prototypes. With 3D printing, these remains can be more effectively preserved and shared with files available for download around the world. The result is enhanced accessibility, in-depth understanding, and enriched appreciation of centuries-old cultures.

“The project was to explore physically making these artifacts in an effort to get people hooked and excited about seeing pieces in a museum or research context. That’s when we turned to 3D Printing,” said Bryan Allen, Design Technologist at Google. “With the new wave of 3D printed materials now available, we’re able to deliver better colors, higher finish, and more robust mechanical properties – getting much closer to realistic prototypes and final products right off the machines.”

The Stratasys J750 3D Printer offers a broad color range for creation of highly realistic models. Leveraging more than a half million distinguishable colors and materials – from rigid to opaque, flexible to transparent – design teams can better align output with design objectives, all while streamlining iterations and advancing functionality of 3D printed models.

One of the major initiatives for Google Arts and Culture is restoration of rare plaster casts initially discovered by A.P. Maudslay during the late 1800s in Guatemala. For more than 100 years, these relics were housed across storage facilities in the British Museum. By leveraging 3D laser scanners to virtually re-assemble each, designers successfully reconstructed these items in physical form, later allowing representations to be easily viewed by a wider audience online.

“Combining rich colors and translucency in a single print, designers and engineers can build models with heightened levels of accuracy and realism – mirroring opaque or transparent structures, and even complex materials like rubber,” said Rafie Grinvald, Enterprise Product Director of Rapid Prototyping, Stratasys. 

Key pieces of the Google Arts and Culture Open Heritage Project are available anytime online, exploring the backstory and 3D printed representation of each historical location. 

“When we talk to arts and culture preservationists, historians, and museum curators, they’re all absolutely amazed by the ability to fabricate these things with such high fidelity via 3D printing technology,” concluded Allen.

For a closer look into the work Google Arts and Culture is doing with Stratasys, watch the presentation at: https://embed.vidyard.com/share/4DJ4py5CuHKVCZoUznseWF.